A renowned museum in London exhibits the portrait of an Ottoman sultan
Inscription of painting calls Mehmet 'conqueror of the world'
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The Victoria and Albert Museum in London is currently showcasing a renowned portrait of the Ottoman Sultan Mehmet the Conqueror by Italian artist Gentile Bellini.
The exhibition also features three bronze medallions with portraits of the sultan, created by Bellini and two other artists.
An Anadolu Agency reporter has gathered information about Bellini's portrait, titled "Portrait of Mehmet II," as well as the three bronze medallions with reliefs depicting the sultan.
Portrait declares Mehmet as 'Conqueror of the World'
Bellini's works originated from Sultan Mehmet the Conqueror's invitation for the artist to visit Istanbul in 1479. Bellini remained in Istanbul until 1481, during which he created the iconic portrait of the sultan and designed bronze medallions illustrating Mehmet and other Ottoman figures.
The inscriptions on the portrait, believed to have been made in 1480, have suffered some damage over time, but one clearly identifies Mehmet with the title "Victor Orbis," which translates to "Conqueror of the World."
Symbolism is embedded in the portrait, with three crowns representing three significant victories achieved by Mehmet: the conquest of Istanbul, Konya, and the Greek Empire in Trabzon.
The archway that frames Mehmet in the portrait symbolizes the seat of Ottoman justice and state governance.
Giovanni's medallion captures Mehmet's victories
The exhibition also includes three medallions depicting Mehmet the Conqueror.
Bellini's medallion, crafted during his time in Istanbul, is the only known piece by the artist. Another medallion, owned by Constanza de Ferrera, portrays Mehmet on horseback, while Bertoldo di Giovanni's medallion symbolizes the sultan's military triumphs.
Although the exact history of these artworks remains somewhat uncertain, they found their way into museum collections as gifts from various donors.
This exhibition underscores Mehmet the Conqueror's importance in European art of the era, illustrating the sultan's lasting influence far beyond the Ottoman Empire's boundaries.
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